Rooftoops of Theran by Mahbod Seraji - 3267 Words

Rooftops of Tehran Since the early years of 18th century, novels have found their ways to the public awareness on how such literary works could bring impacts to the community. One of the most popular sub genres of novel is â€Å"Social Novel† which has seen been used as a popular device of authors to publish their works and propagate its messages. However, the earliest documented European novel was published way further back in the 17th century or even much earlier, with pioneering novel, Don Quixote by Miguel de Cervantes. (â€Å"Novel†, n.d.) It is also one of the earliest writings in the form of a very lengthy piece of work which is known as novel (derived from Spanish noun, Novella which means new story). (â€Å"Novel†, n.d.) Since late 20th†¦show more content†¦Though she was exposed to proper education by the convent in her earlier life, she was influenced by the romantic novels that she has read. Here, it is clear, that though both writers though came from different backgrounds and lifestyles, seem to agree to the fact that one should not used religion as a cover for achieving their worldly goals. Next, are the issue of corruptions among the royals and their misuse of power in Iran. Here, the issue is about how the royal families of Shah Mohammed Reza Pahlevi from the Pahlevi dynasty and Shah Reza himself as a King of Iran whom have misuse their power and country resources while reigning over then known as Imperial State of Iran. He directly criticized the royals who are not also misuse their powers, but also misuse the religion in their rulings. Quoting from the novel, Mr. Mahbod Seraji (2009) wrote: Most of the time the fact that the opposition even exists - †¦ – is denied, or those groups are referred to as kharab-kars – subversive activists, terrorists, and people who commit appalling acts in the name of politics. [†¦] So despite the arrests, tortures, and the incessant suppression of the opposition groups, adulation of Shah continues as if the country is a model state for democracy. (p. 30-31) In the novel, the Shah Reza though not portrayed as one of the visible characters in the story, his power

The Judicial System In South Africa And Russias Judicial...

South Africa and Russia’s judicial system are divided in different ways. Although both countries acknowledge that the Supreme Court is deemed as the highest court of law, there are some differentials. Both South Africa and Russia are known for their excellent leadership, and there are prestigious colleges for students to learn the law. As far as the form of government, both countries assert by accepting the democratic form of supremacy; thereby, embracing principles that are affiliated with this nature of power. The administrative structure within the country of South Africa is divided into two courts of law. The two structures of South America consist of one that one is larger than the other. The superior courts are controlled†¦show more content†¦The members of the JSC also are responsible for taking care of the grievances brought against the magistrates. The JSC executes as a consultative type of part to the â€Å"President and the â€Å"national government† with issues regarding the â€Å"judiciary† supervision. When a grievance is reported, it goes through the office assistant of the JSC whose headquarters is located within that of the â€Å"Chief Justice†. It is mandatory that all of the judges conduct themselves decently and proficiently (Introduction to the JSC, 2017). The individual who has day-to-day power in the management of trials within the republic is referred as the private instructor. The â€Å"President of the Supreme Court of Appeal† appoints the â€Å"National Director of Public Prosecutions†. This leader is responsible for the global day-to-day power when it comes to the republic’s hearings. There are nine jurisdictions with their leader who has a personal staff. These individual agents are responsible for carrying out a particular duty to compile evidence for the person being tried. Some specified divisions have been recognized as the necessitating of particular notice inside the à ¢â‚¬Å"National Prosecutions Service† (Terrill, 2016). As Terrill (2016) indicates, â€Å"They include the Office of Witness Protection, Asset Forfeiture unit, Specialized Commercial Crime Unit, Priority Crimes Litigation Unit, and the SexualShow MoreRelatedTheory of Democratic Peace2965 Words   |  12 Pagesdemocratic states, who start the war, are generally held responsible for the costs and effects of war. Another argument of the democratic peace proponents is interdependence, which is economic related. Since democratic states have a free market system, they are more likely to trade with other democratic states to generate profit and develop a relationship with other countries. Through developing these relationships, it increases peace between the countries. 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Ashurnasirpal Ii Free Essays

Unit One Assignment: Ashurnasirpal II I have entered into the palace of the great Ashurnasirpal II, and am approaching the throne room to await my meeting with the king. In front of me are two Lamassu figures that guard the entrance, Colossal statue of a winged lion from the North-West Palace of Ashurnasirpal II (Fig. 1). We will write a custom essay sample on Ashurnasirpal Ii or any similar topic only for you Order Now I am immediately in awe of the sheer size of this pair of sculptures, they each stand over ten feet tall, towering over individuals who would like to enter the throne room. The pair is enormous and intimidating as they are approached. When I first advance I see this combination of man, lion, and bird frontally. I notice the proud lion’s chest and huge paws. These elements show the strength of the beast and are representative of the power of Ashurnasirpal II and his empire. The body of the lion is adorned with the face of a man, which signifies the intelligence that the kingdom possesses. The face wears the traditional beard of the king, and the traditional horned crown indicating the divinity of the king. Associating the king and his domain with the all-powerful gods, shows the connection with absolute power of the divine with the total power of the empire (Reade). Making my way around to the profile view of the statue I continue to see the massive body of the lion, and now see the beautiful feathered wing. The intricate details and pattern of the wing are impressive. The wings represent the swiftness of the ruler (Reade). From the side I see all four legs of the lion, the artist uses the idea of most informative viewpoint, to give an accurate view of the most important aspects of the creature from every angle. From the side the lion appears to be striding forward, perhaps symbolizing aggressiveness (Hedin). The proportions of the elements from each animal are not true to scale. The overall size of the piece is much larger than the animals and human depicted. The wings are much larger than that of any bird, the body larger than any lion, and the human head far bigger than any human. What is interesting is the proportion of these elements as they relate to each other. They are of equal importance, the wing is just as large as the body of the lion, and the human head is just as tall as the height of the torso. This shows the equal importance of strength, intellect, and swiftness to the power of the king. This piece focuses on the importance of human and animal anatomy, and shows how advanced artistically this society has become (Atac). There is elaborate attention to detail in the hairs of the beard. This same detailed carving is replicated in the intricate feathers of the wing. The repetition emphasizes the importance of the bearded king figure. Visually I am drawn to the elaborate design in these elements on such a massive statue. The cuneiform shows that this culture is educated and values literacy enough to include it within its art. The engraved writings record ideas about Ashurnasirpal II and are possibly meant to immortalize him within this permanent art piece. As I enter the throne room, I notice an interesting relief located directly behind the throne of Ashurnasirpal II, Stone relief from the throne room of Ashurnasirpal (Fig. 2). This piece is clearly important in depicting elements about the king, because it is so prominently displayed. The throne room is the area of the palace where the king addresses the public and this room would often hold audiences of people who have come to see the king (Cohen). I find it very interesting that Ashurnasirpal II is as tall as the entire relief itself, but the god figure that is shown is much smaller in comparison to each of the king. The Assyrian empire does not require the people that they conquer to convert to their religion, but most certainly require their new subjects to pledge allegiance to Ashurnasirpal II (Mackenzie). Perhaps the larger scale of the king represent which loyalty is more important. The symmetry in this piece is very important. Directly in the middle is situated a date palm tree which is the lifeblood of this culture (Hedin). On either side of the plant Ashurnasirpal II is shown, in fact, each figure appears twice in this relief. This repetition further emphasizes his importance, but also shows a sort of dichotomy and balance in his power. Each figure is shown from most informative view point. Both images of the king, I see his legs in profile, but his upper body is turned to show both shoulders completely and the actions of each arm. On the right side the king is holding a mace, which I recognize as a weapon with a heavy top that could be used to beat enemies. The gestures of each version of Ashurnasirpal II seem extremely important. The figure on the left side is motioning towards the tree, and associating the king with the abundance of the land. As if it is the king who has brought great prosperity to this civilization (Reade). This theme seems to be repeated with the winged protector figures standing behind each representation of Ashurnasirpal II. These figures are ritualistically blessing the king, and reiterating his intense connection with the gods. This relief seems to be stressing that all that is good in the Assyrian empire is because of Ashurnasirpal II himself and that the gods have provided this righteous ruler for the people (Reade). I make my way out the throne room, towards the temple of Ishtar Sharrat-niphi. Here I can see a life sized statue of Ashurnasirpal II, Statue of Ashurnasirpal II (Fig. ). The statue is in the goddess Ishtar’s temple to remind her of the piety of the king. I notice that there are no protruding appendages or any outreaching elements of this statue, but that it is one solid mass of magnesite (Reade). The solid appearance of this portrait symbolizes the secure and stable king and empire. The complex pattern on the beard of the king points out the importance of the beard. The beard clearly symbolizes masculinity, but perhaps it also implies wisdom and power. The size of the beard on this statue is very large in comparison to the rest of the face. It is geometric and structured, but with beautiful ornate detailing. Ashurnasirpal II is shown with the sickle in his right hand, and with the mace in his left hand. The arms are not symmetrical in form, but the rest of the statue’s shape is. The sickle is the weapon that in mythology, the gods used to fight monsters. The mace is shown again, similarly to the depiction of him in the relief, as a weapon that represents authority. Both objects have divine association, which echoes the god like authority that Ashurnasirpal II has over the empire. I find it interesting that he is lifting his arm that holds the mace, perhaps as though he is about to actively us this weapon. Again I see cuneiform used in the art of this culture. Across the chest of the statue of the king, there are etchings that announce the accomplishments of the king as well as his genealogy (Reade). Included in these writings are the recent invasions of surrounding villages. This is clearly just another way to intimidate and boast about not only the power of the Assyrian empire, but the power of Ashurnasirpal II himself. All of the statues and reliefs that I have observed throughout the royal palace seem to reaffirm the importance and power of Ashurnasirpal II. Many of these works were created â€Å"by the initiate for the initiate† (Atac). The content was intended for the audience who would see it in its original form, all of the pieced mentioned have a similar purple. It would be very difficult to not understand the message that the king is sending with all of the decoration. That the king is of divine power and possess the greatest influence over all of the land of Assyria. How to cite Ashurnasirpal Ii, Essay examples

Internship Report Onroyal Cement Limited free essay sample

I would like to thank my Faculty Advisor Roushan Ara Sultana for giving me the opportunity to work with her during my period of internship. I have been able to compile and complete this report in a comprehensive manner due to the guidance, support and counseling that he has provided me with during this period. I have tried my best to implement her constructive suggestions while doing my report. I would also like to take this opportunity to acknowledge the help provided to me by some. My sincere gratitude goes to Mr. Forman Uddin Chowdhury; Director of personals of the company Operations and to Mr. Md Moonsur Ali; Assistant General Manager; Marketing, Sales Distribution for giving me time from their busy schedule, providing me with information that was required to complete the report, and for guiding me properly throughout the period of my internship. I would also like to thank all the employees of Royal Cement Limited who has supported me and co-operated with me during my internship period. We will write a custom essay sample on Internship Report Onroyal Cement Limited or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Finally, my sincere thanks go to each and everyone who has helped and supported me significantly in different stages during the period of my internship. Page | 2 University of Science and Technology ChittagongExecutive Summary Royal Cement Limited, one of the leading largest cement industries in Bangladesh emerged in 2001. The company is well known for producing quality cement at a low price. The head office and the commercial building of Royal Cement Limited are located in Kabir Manzil, Sheikh Mujib road, Agrabad, Chittagong-4100. The other office of Royal Cement Limited is located in Dhaka and their production house in Joramtal, Barakumira, Sitakunda in Chittagong. The team consists of two leading companies of Bangladesh, which are Kabir Steel Group BSA Group.